Uta Hagen's Guide to Respectful Acting

This book, Respect for Acting by Uta Hagen, is the perfect choice for anyone interested in Broadway and musicals. It boasts a high-quality binding and pages that are easy to read and understand. With its engaging genre, this book is sure to captivate readers and provide them with an enjoyable and informative experience.

Key Features:

Uta Hagen was an esteemed American actress and acting teacher. She was a Tony Award-winning stage performer, acclaimed for her performances in such plays as Who's Afraid of Virginia Woolf? and The Country Girl. Hagen was also a renowned acting teacher, who wrote several books on the craft of acting and taught at the HB Studio in New York City. Her legacy as an actress and teacher continues to inspire performers around the world.Uta Hagen was a celebrated American actress and acting teacher whose illustrious career spanned over six decades. She won a Tony Award for her iconic performance in Who's Afraid of Virginia Woolf? and The Country Girl. Hagen was a revered acting teacher and wrote several books on
79
B2B Rating
12 reviews

Review rating details

Value for money
84
Overall satisfaction
84
Giftable
80
Genre
80
Easy to understand
83
Easy to read
84
Binding and page quality
75

Details of Uta Hagen's Guide to Respectful Acting

  • ISBN-13 ‏ ‎: 978-0470228487
  • Item Weight ‏ ‎: 13.6 ounces
  • Customer Reviews: 4.7/5 stars of 1,193 ratings
  • Hardcover ‏ ‎: 240 pages
  • ISBN-10 ‏ ‎: 0470228482
  • Acting & Auditioning: Acting & Auditioning
  • Stagecraft (Books): Stagecraft
  • Broadway & Musicals (Books): Broadway & Musicals
  • Dimensions ‏ ‎: 5.5 x 1 x 8.4 inches
  • Publisher ‏ ‎: Wiley; 2nd edition
  • Language ‏ ‎: English
  • Best Sellers Rank: #67 in Stagecraft #123 in Broadway & Musicals #177 in Acting & Auditioning

Comments

Wildotter: The book is well-written and provides an interesting account of the strategies Hagen used to help her with various stage roles. What is missing, however, is an overall acting strategy. It is interesting that in later years Hagen disowned this book.

Canada on Oct 09, 2023

Kysha C.: Amazing book for my class. Recommended reading from my professor. I couldn't believe how it's written for actors on founding the details for there characters so specific and understanding. Instead of 5 stars. 10/10 will Recommend to keep and study forever.

United States on Aug 09, 2023

Casey Casperson: Truly a fundamental straightforward approach to acting. Many aspects of improv acting require these techniques to achieve success. It’s actually denounces this book so focus more on her philosophy and less on the exercises

United States on Feb 07, 2023

Serhat Incedal: As someone who wants to go into acting, I learned a lot from this book. It teaches a lot about the sector as well as, all of the hard work and effort it takes to become a good actor.

United Kingdom on Jan 21, 2022

Jaime Mercado: Me gusto el libro y fue un perfecto regalo

Mexico on Jan 10, 2022

Amazon Customer: As an acting student new to the concept of method acting, I wanted to read the books by Uta Hagen, of whom my own acting teacher is a disciple.

This book has “caught me up” on the outer philosophy contained in Hagen’s approach, and with Hagen’s follow up book Challenge for The Actor, has made me better prepared in my acting education.

United States on Jul 05, 2021

Amazon Customer: I loved the insight into the craft of acting and the no bull**** attitude towards the path of the artist. Uta provides a lot of great general ideas about theater acting as well very specific actions and exercises to help the aspiring, and even experienced, actor improve their craft.

My only complaint is that her choice of wording and sometimes run-on thoughts make certain segments difficult to read. Overall a very good book for any theater actor.

United States on Jun 18, 2019

ActingLover: Just... inspiring. Hagen is revolutionary in terms of providing the actor with detailed, effective methods on how to bring truth to a character and the play. Her anecdotes are highlights of this gifted book and supplies an explanation to certain aspects that maybe perceived as confusing. However, the basis of her technique just frees me, personally, as an actor and I am still in development. It seems so obvious now but she teaches you that the best actors are finely tuned with their senses 27/4 and they observe their reactions, feelings and emotions and what the do in that state in order to bring life to the stage. She states also in her DVD "If I go to the theatre and I can see the acting - I already don't like it". It is such a shame that in 2004 we lost such a great actress and this book just preserves her spirit and enthusiasm for the craft of acting. There is no choice if you are an actor - you MUST get it. 1 million stars ;)

United Kingdom on Oct 20, 2012

Amazonian: First, it is not "by David Hyde Pierce" as claimed by the review-request email! (He wrote the intro.) It's by the late, great Uta Hagen -- acting teacher extroadinaire. The book has inspired pretty much every decent American actor that walked the earth so let it inspire you. Find out what method acting is REALLY about (it's not about larding up for a role, staying in character for 6 months or running around the block to get sweaty... it's really about find aspects of yourself you can blow up and use). Her exercises are great -- watch her video on Youtube with students doing them, and her straight but comforting critiques. The exercises alone inspired me to write a 30-minute piece for a local festival, telling a full story with one actor in one location -- talking to himself and on the phone. Uta was the actor's Jesus. Every actor should read this to really get a handle on what acting is, how an actor should think. And every so often you will ask yourself, "What would Uta do?".

United Kingdom on Mar 27, 2012

xtn: I have been acting for more than 7 years now. One of my degrees is in Theatre (Acting concentration) and I've performed dozens of play and films. This book wasn't a part of my curriculum but was suggested reading by a director of mine. I have never read an acting book with such depth and insight told in such a straightforward and brilliant manner. Uta Hagen has written what I constantly refer to as my "Acting Bible". Whenever I find myself in an acting rut, I pull out this book and read a few passages. I read that Mrs. Hagen had conflicting thoughts about the book later in her career and actually denounced it and released another book. I have not read that book, but I don't feel as though I have to.

As an actor, you can read hundreds of books about technique and exercises, but acting is an art of individuality. This book is not necessarily technique-oriented in the traditional sense, but rather provides a framework upon which an actor can build and refer to in their "bag of tricks".

I highly recommend this to any student of the art of acting.

United States on Aug 04, 2011



Uta Hagen's Guide to Respectful Acting Jeremy McCarter's 'n by Lin-Manuel Miranda T. S. Eliot's Enduring Classic: Old Possum's Book of Practical Cats
Uta Hagen's Guide to Respectful Acting Jeremy McCarter's 'n by Lin-Manuel Miranda T. S. Eliot's Enduring Classic: Old Possum's Book of Practical Cats
B2B Rating
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Sale off $7 OFF $31 OFF
Total Reviews 12 reviews 435 reviews 72 reviews
ISBN-13 ‏ ‎ 978-0470228487 978-1408709238 978-0156685689
Item Weight ‏ ‎ 13.6 ounces 2.77 pounds 2.88 ounces
Customer Reviews 4.7/5 stars of 1,193 ratings 4.9/5 stars of 14,318 ratings 4.8/5 stars of 2,715 ratings
Hardcover ‏ ‎ 240 pages 288 pages
ISBN-10 ‏ ‎ 0470228482 1408709236 015668568X
Acting & Auditioning Acting & Auditioning
Stagecraft (Books) Stagecraft
Broadway & Musicals (Books) Broadway & Musicals
Dimensions ‏ ‎ 5.5 x 1 x 8.4 inches 8.82 x 1.5 x 10.39 inches 5.31 x 0.19 x 8 inches
Publisher ‏ ‎ Wiley; 2nd edition Grand Central Publishing; First Edition Ecco
Language ‏ ‎ English English English
Best Sellers Rank #67 in Stagecraft #123 in Broadway & Musicals #177 in Acting & Auditioning #70 in Musicals #4,578 in United States History #199 in Limericks & Humorous Verse#1,398 in European Poetry #46,966 in Reference
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